In Starlight Canyon, take a picture of a Dog Statue when it changes from idle to hostile. In Starlight Canyon, take a picture of a Dragon when it performs its Fireball attack. In Rainbow Butterfly Wood, take a picture of a Tore before it becomes hostile. In Rainbow Butterfly Wood, take a shot when a Man-Eating Grass "smiles". The ghost will only be visible during the camera flash. Take a photo of the ghost over the lake in Palm Brinks between 12 AM and 4 AM. Take a photo of the Rainbow Butterfly when the smaller butterflies reunite into its complete form. Picture of the Full-Grown Lafrescia Flower. Inaccessible after giving him the Priscleen Fish. Picture of the King Mardan after fishing him out of the lake. Available from chapters 2 through 7, and inaccessible in chapter 8. Take a photo of the awakened Jurak at the Jurak Mall. In Rainbow Butterfly Wood, take a picture of a Gyumo when it yells. In Rainbow Butterfly Wood, take a picture of a Moler when it jumps out of the ground. In Rainbow Butterfly Wood, take a picture of a Pumpkinhead when it twirls its weapon. In the Underground Water Channel, take a photo of a Night Stalker performing its spinning attack. Trigger his missile attack by moving away from one of the red nose balls that he shoots. When Halloween shoots a missile from his eyes during the fight in the Channel Reservoir room. Trigger this attack by getting close to her head on and then moving to her side. When Linda raises her forelegs to attack. It’s rated R.In the Underground Water Channel, take a photo of a Vanguard when it performs its Slam Attack. “No Hard Feelings” premieres June 23 in US theaters. But credit Lawrence with finding a worthwhile character in a movie that offers unexpected rewards for those who’ll see it, whether that’s in theaters or, more likely, after it wades into the more hospitable waters of pay TV and streaming. The sequence encapsulates how the film aims higher than one might expect, in a way that, given the current theatrical climate, makes “No Hard Feelings” no easy sell for a studio marketing department. To her credit, Lawrence (who doubles as a producer) lustily dives into that aspect, including a nighttime skinny-dipping scene – as she tries to coax the reluctant, rule-following lad into the water – that underscores how the movie manages to simultaneously be broadly funny, clever (Percy cites the parallels to “Jaws”) and indicative of the hostility that she carries around with her. It’s a form of emotional paralysis reminiscent of “The Graduate,” though to be clear, not nearly that good.įor Maddie, life consists of one-night stands and feeling less-than due to the class distinction of growing up with her nose pressed up against the glass watching the privileged folk on the other side.įeldman’s youthful appearance makes him seem even more vulnerable and the mercenary aspects of Maddie’s task feel dicier. In Percy’s case, the issue involves having shrunken into himself and an online world, and “helicopter parents” that want him to grow up while simultaneously making it harder for him to actually do that. Yet “No Hard Feelings” (a generic title that also indicates the studio didn’t really quite get what they had here) also has a poignant side in exploring the odd friendship that develops between these two characters, each damaged in different ways. Maddie is a little older than what they envisioned as a potential seductress (turning Lawrence’s age into a running gag turns out to be pretty inspired), but she convinces them that women Percy’s age are idiots, and besides, she really, really needs the car they’re offering.ĭirected and co-written by Gene Stupnitsky (sharing script credit with fellow “The Office” alum John Phillips), what ensues could easily have become a bawdy R-rated comedy with lots of over-the-top situations, and there’s some of that. She blames her dire financial straits on the influence of wealthy summer residents to the seaside town of Montauk, where she lives, making it extra difficult on her struggling cohort to get by.Įnter a wealthy couple (Matthew Broderick, Laura Benanti) who place an ad for someone to date (that would be the polite way of putting it) their 19-year-old son, Percy (Andrew Barth Feldman, in a strong step up for the “High School Musical: The Musical: The Series” co-star), and “bring him out of his shell” before he enrolls at Princeton. Lawrence’s Maddie is pretty, but she’s also desperate, at risk of losing her house and with her car getting repossessed, particularly bad news for a part-time Uber driver. Part French sex comedy, part “American Pie”-like coming-of-age story, this raunchy vehicle for Jennifer Lawrence also possesses darker and deeper streaks that elevate it above its “Pretty. “No Hard Feelings” is the kind of hard-to-characterize movie that isn’t served by a splashy ad campaign, in mostly good ways.
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